http://justinmenard.ca Fri, 30 Apr 2010 11:01:49 +0000 http://wordpress.org/?v=2.9.2 hourly 1 http://justinmenard.ca/2009/08/12/beautiful-libraries-1/comment-page-1/#comment-748 The Radical Patron – Why libraries interest me – Fri, 30 Apr 2010 11:01:49 +0000 http://justinmenard.ca/?p=109#comment-748 [...] libraries are public mirrors and what they reflect about us is very interesting. Visit Justin Menard’s blog for more images of beautiful [...] [...] libraries are public mirrors and what they reflect about us is very interesting. Visit Justin Menard’s blog for more images of beautiful [...]

]]> http://justinmenard.ca/2010/01/24/the-ultimate-mega-book-list/comment-page-1/#comment-452 in wonderland alice Sat, 06 Mar 2010 21:30:24 +0000 http://justinmenard.ca/?p=291#comment-452 It's a damn shame then that this meticulously crafted, psychedelic visual-journey isn't matched with a screenplay that was given just as much effort. The inbuilt metaphors of the Alice tale are still there however writer Linda Woolverton adds very little in the way of character development or plot undercurrents, seemingly intent on relying on the visual effects wizards and actors to contribute the extra layers. Her biggest missed opportunity is further exploration into the Mad Hatter or even the White Queen – both of whom are half-baked caricatures – with the Hatter coming off as a mere chance for Depp to be quirky, rather than the cleverly-written character with an interesting back story that he should have been. To Woolverton's credit though, she did manage to concoct some deliriously amusing dialogue for the Hatter and the Red Queen; a small highlight of her script which partially redeems her lack-lustre attempts elsewhere. It’s a damn shame then that this meticulously crafted, psychedelic visual-journey isn’t matched with a screenplay that was given just as much effort. The inbuilt metaphors of the Alice tale are still there however writer Linda Woolverton adds very little in the way of character development or plot undercurrents, seemingly intent on relying on the visual effects wizards and actors to contribute the extra layers. Her biggest missed opportunity is further exploration into the Mad Hatter or even the White Queen – both of whom are half-baked caricatures – with the Hatter coming off as a mere chance for Depp to be quirky, rather than the cleverly-written character with an interesting back story that he should have been. To Woolverton’s credit though, she did manage to concoct some deliriously amusing dialogue for the Hatter and the Red Queen; a small highlight of her script which partially redeems her lack-lustre attempts elsewhere.

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